Stylistics and Blending Analysis of John Keats Sonnet “To Sleep”
DOI:
https://doi.org/10.59075/jssa.v3i3.373Keywords:
Stylistic analysis; Blending theory; John Keats; Poetic language; Linguistic interpretationAbstract
The purpose of this research paper is to conduct a stylistic and blending analysis of John Keats’s poem “Sleeping.” The study examines the poem at phonological, morphological, and lexical levels to uncover how the poet’s linguistic choices reflect his emotions, struggles, and philosophical reflections shaped by his life experiences. This analysis aims to explore the style, structure, and thematic depth of the poem, while also revealing Keats’s personal attitudes and artistic vision through a detailed linguistic examination. The study demonstrates how Keats’s stylistic techniques distinguish him from his 19th-century contemporaries, highlighting his innovative use of sound, rhythm, and diction. The blending analysis further illustrates how the poem’s structure allows for multiple interpretations, as readers employ various cognitive and contextual strategies to derive meaning (Fauconnier & Turner, 2002). By integrating stylistic and blending perspectives, the research emphasizes how Keats’s form and language evoke subtle, layered ideas, transforming the poem into a unified work of art rich in ambiguity and emotional depth. Ultimately, the study concludes that Keats’s descriptive language and stylistic innovation amplify the poem’s impact on readers, deepening their engagement with its imagery and themes.
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